November 1, 2019 | From the National Review
On Friday, anyone with a pulse would have seen the news of the release of Kanye West’s newest album, Jesus Is King. It comes after months of news stories about West’s very public conversion to Christianity, a Christianity that bears no resemblance to the vague spiritualism of Moral Therapeutic Deism that is often associated with celebrity conversions.
The lyrics to each song in Jesus Is King are shockingly Christian. It is not an album of feel-good Christian spirituality aimed primarily as a message of uplift. West co-wrote and sang the hit “Jesus Walks” on his debut album The College Dropout (2004), but Jesus Is King is different. Throughout the whole of the new album, West is in many respects deeply critical of modernity and cultural progressivism. There are calls for a focus more on the family than on individual glory. He seems to applaud Chick-fil-A, which in our age is tantamount to endorsing bigotry. Social-media obsession should be exchanged for family prayer. Fatherhood is characterized as a virtue. Materialism is pilloried. Calls for worshiping Christ redound to such effect that West’s first Christian album is arguably more Christian than what most contemporary Christian artists could similarly muster.
But in the media rollout of West’s album, it’s worth paying attention to other statements he’s made. He’s criticized abortion and believes that the African-American community is getting played by Democrats. He remains defiant in the face of political correctness. A man of evolving identities who has struggled with mental illness in his past, he told Zane Lowe during a two-hour long Beats 1 interview that during the planning of the album, he insisted that those around him fast and abstain from premarital sex. In the interview with Lowe, West has the anthropology of C. S. Lewis, the economics of Wilhelm Röpke, the cultural mood of Wendell Berry, and the defiance of Francis Schaeffer. In Jesus Is King and in interviews, we see a Kanye West upholding what Russell Kirk referred to as the Permanent Things.
He’s rejecting the hyper-sexualization of culture that he admitted he helped create. In an ode to the Niebuhrian Christ-and-culture typology, he said he’s now living his life for Christ and ostensibly against culture.
In a word, Kanye West is now a cultural reactionary by the standards of our society, and could be, in time, a cultural wrecking ball that dislodges so much of the assumed, comfortable, and unchecked cultural liberalism that dominates the most elite sectors of our country and mocks anything resembling traditionalism and social conservatism. In an age of libertarian sentiment, when the currency of American society appear to be glamorization and the notion that consent is the only reasonable moral standard, West is calling for restraint and limits.
To that end, I wish him success. He’s just the figure, given his massive iconic cultural status, to bring a needed message that our society should reconsider what it deems praiseworthy. To that end, his religious conversion could spark a revolution in morals, similar to what the conversion of 19th-century abolitionist William Wilberforce helped foster in England.
(Excerpt from National Review. Article by Andrew Walker.)